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Indie movie production companies3/28/2024 Instead of a one-size-fits-all deal with a streamer, “essentially a cost plus deal, where you give up all global rights forever,” Lewis says indie producers can get creative with windowing rights, “putting together money from different sources” to allow “the value of a project to be better correlated with its success. “Those kinds of generic action movies are great for Netflix and Amazon but they no longer have currency as a theatrical movie,” notes one European-based packager and seller, pointing to Liam Neeson’s Retribution, which earned just $7 million domestically for Roadside Attractions, or Millennium Media’s Expend4bles, which earned less than $17 million at the domestic box office for Lionsgate, the worst performance, by far, of the Expendables franchise.īut Joe Lewis, CEO of Amplify Pictures, sees new opportunities in the streaming market as platforms shift away from their walled-garden approach of global all-rights deals and begin to “enter into an age of non-exclusively with is super-exciting…You can put your stuff out on multiple VOD platforms now and you see that the numbers aren’t cannibalizing each other, in fact, they can be additive.” Genre films like The Avenue’s actioner ‘Land of Bad’ are still popular with streamers but harder to make work at the box office. Ancillary revenues have always been the true driver of the indie market, but as streaming comes to dominate post-theatrical exploitation and the biggest platforms are pulling back on how much independent fare they buy, many are questioning how indie movies can make the numbers work. Prior to A24, all had worked extensively in film and production before leaving their positions to. The company was founded in 2012 by Daniel Katz, David Fenkel, and John Hodges. and Europe, hope appears to be slowly returning to an indie film industry that seemed near the brink just six months ago.īut many EFM sellers still see a cloud over the horizon with the unresolved issue of the home entertainment market, particularly the all-important pay-one window. A24 is an American independent entertainment company that specializes in film and television production, as well as film distribution. With offices in three cities in the U.S., the company provides a full range of services relating to the sales, marketing, licensing and distribution of feature films, television, and special interest. Coming off a solid Sundance and improving box office figures, both in the U.S. More info coming soon Independent Films United is the leading indie filmmakers choice for distribution. Names that - once you see them attached to a title - you immediately know what kind of quality you can expect.The European Film Market is off to a strong start, buoyed by post-strike optimism and a truly impressive lineup of projects on offer in Berlin this year, including available indie movies with the A-list draws of stars such as Margot Robbie, Dave Bautista, Scarlett Johansson, and Will Smith. To meet the demand for bigger, bolder horror, a few different production and distribution companies have popped up that either specialize in or have a heartfelt dedication to the horror genre. Our goal is to produce exciting, award winning content through innovative storytelling and production. Horror is a constantly shifting, growing beast that has really come into its own. RedOrange USA is a full service film and video production company that provides content for Advertising Agencies and directly to OEMS worldwide. This puts these lesser-known films in theaters, on streaming services, and into homes via physical media. The screenplay typically has at least three acts that have to be edited for pacing and story development purposes. It starts with the writing stage, where screenplays are written by a writer or multiple writers. The process of film production is a long and arduous one. One of the reasons that film festivals are so vital to the industry is that they give the exposure needed to get independent horror films in front of the eyeballs of not just reviewers and audiences, but distributors as well. Film Production Company Business Plan: The Complete Guide. While reboots, sequels, and franchises are still being pumped out, we’re turning our eyes to the real prize.īut in order to even make sure these subversive, creative, shocking titles can be seen, a film’s distribution is paramount to its success. We love to feel scared, and the new, somewhat quieter voices of genre cinema have proven time and time again to be the real talents to watch out for. Audiences are drawn more to the indie horror film festival favourites - those movies that take risks to really mess up their audiences. Let’s be honest, most of the truly notable horror films to come out in the past few years have not been big box-office-breaking blockbusters.
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